Sunday, March 6, 2011

Silence

The silence was massive. We never spoke. I drowned myself in another world, I didn’t play with the kids. They formed their own little commune, where noone could enter. I just sat and stared at our only room’s rotting walls, the small window’s paint chips, the cracks in the wood of the ceiling, and then I just strolled around in the back garden, among the hills and valleys and I sat down in the grass.

I was so calm, I felt so free, I dreamt of eating as much as I could every day, I imagined multi-layer salami sandwiches, pretty clothes, a lot of books, a bike, 100-piece marker set, a huge boksz of pencils, a whole shelf with papers on it, notebooks and pens, colorful envelopes … I was satisfied. I knew this was going to be mine, we would have our own house, we’ll have food to eat, we won’t live in a dark hole with an old lady who never let me play int he back yard and who scolded me for shouting, she never gave us any pears, but we stole one anyway when she went into the village. When she got back, shoe counted them, and then … But when she left again, we went to the attic to collect all the glass we could find, so we could sell it and buy something really pretty for Mummy.

Int he kitchen there were two big buckets on the long bench. We brought fresh water in them with my sister, the well wasn’t that far, out on the street, almost right in front of the house. But the real party was when we went to get milk, up to the village. We had to go in the evening and we took the top off the jug and turned it around and around fast and we were amazed by the fact that not even a drop of milk left the container.

It was even before this, we lived in another lady’s house, our dad was nowhere to be seen. Mum worked the night shift and the morning shift at times, u pin the capital, on these occasions I had to wake my sister, we washed our faces, I made the beds, I locked the door, took her to daycare, and I went to school. I was in the first grade, I was six years old. When mum worked the afternoon shift, I went to pick my sister up from daycare after school, we played at home, we had dinner, I washed the dishes, we tidied up and then went to bed. Mum got home around 11 pm, we were asleep by that time. Everything was so calm. So quiet.

I loved going to school, teachers praised me, they patted my head, I was so grateful to them, that I felt I owed it to them to study. They showed me a bunch of wonderful things and they payed attention to me. I was happy, yes, of this I am sure. I gave little kisses to my books every morning, I knew, that one day I would be a teacher, too. I taught my sister every day after daycare. I knew I would be one of those smiling teachers, like my teacher, with an open look in my eyes. I never doubted the fact that I would one day become a teacher.

It happened even before these times, when mum left dad and we moved to this other village, where we lived with yet another old lady, there was no floor, it was sand and dirt, you know, it was one of those houses where we had to water the floor every morning, so it wouldn’t be dusty int he rooms. I was 5 years old then. Dad came after us, he begged mum. And then on an early summer evening we were just standing in the doorway, we were waiting for dad, he had to pay us that day. We were hungry. Dad didn’t come. Mum didn’t say anything. She didn’t raise her voice, not once. She cried quietly, we just stood there hugging her, it was getting chilly. We turned, slowly, I let go of the gate, and then the old lady came up to us and gave us both a loaf of bread. One for me, one for my sister. And this is why I loved mum. Although later she couldn’t even look a tus, she couldn’t smile at us, she couldn’t protect us and give us hugs, I loved her for that moment. Because that day she stayed hungry. And there were a lot of days when she stayed hungry. And back then, she would hug us, even if she was hungry … I was happy.

Monday, January 24, 2011

Regional dialect meme

I can't be left out, so here goes ...
People say my English is more American than anything else, I think it's a mixture of Greek, Hungarian, American and very little British, but all this only shows when I speak for a little longer than what is on this video (plus when I'm not told what to say).




It's funny how I HATE watching and hearing myself, but at the same time I'm the worst exhibitionist out there. Contradictions. Story of my life ...

Here is the list of words to be pronounced and questions to be answered:

Say these words:

Aunt, Route, Wash, Oil, Theater, Iron, Salmon, Caramel, Fire, Water, Sure, Data, Ruin, Crayon, Toilet, New Orleans, Pecan, Both, Again, Probably, Spitting image, Alabama, Lawyer, Coupon, Mayonnaise, Syrup, Pajamas, Caught

Now answer these questions:

What is it called when you throw toilet paper on a house?
What is the bug that when you touch it, it curls into a ball?
What is the bubbly carbonated drink called?
What do you call gym shoes?
What do you say to address a group of people?
What do you call the kind of spider that has an oval-shaped body and extremely long legs?
What do you call your grandparents?
What do you call the wheeled contraption in which you carry groceries at the supermarket?
What do you call it when rain falls while the sun is shining?
What is the thing you change the TV channel with?

Wednesday, October 13, 2010

Alternative Venice

Venice could so fuck with the world one day. A day, when they decide not to let any tourists into the city. Only citizens could stay and work there. Only gondoliƩrs would shop at the expensive designer shops, vendors from the fish-market would sit at the coffee houses after work, only the museologist girl with the nice ass would be walking along the shore of the Canal Grande. No Bollywood shooting teams, noone buys tickets to go on the vaporetto and not one person would stop at The Bridge of Sighs to take photos. A lot of people would enter The Doge's Palace for the first time in their lives to see the exhibition. A lot of people would photograph themselves with their wives while leaning on the rail of a bridge for the first time in their lives. A lot of people would notice for the first time in their lives that the tower of the nearest temple really is slanting.
It would be weird. Weird, but nice.

Thursday, September 16, 2010

Connection

The soot of the night has stuck to me.
A man in front of me. Alone.
My personality is faced with me
on the dark, humming train.

Now I am woman. I could be man.
I could ask: why is it that I am woman?
I hardly ever find an explanation to
questions beginning with why.

I look the man in his forties up and down.
Jeans, cell phone, family. Somewhere.
His personality lights up in the night.
Rattling in the heart of the Budapest train.

To keep my womanhood, I smile.
I don't look at him. It's fair to him this way.
The connection responsible for us
still filters through the soot of the night.

That's how we rattle - that's how we have to rattle -
all the way to Szeged.
This is the night state of mind.
I think, probably, even God can't
find an explanation to the whys of our lives.

Reporting a state of mind

The Sun bleeds all over the horizon when twilight comes. The blood dries up during the night and the following day's morning, but only to cover the scenery all over again in the evening. The gore floats over barren soil in the form of big red veils and gets stuck in the branches of dead trees.

The heat is unbearable in the desert at noon. The hills and valleys of sand-dunes don't move, because even the wind doesn't come out this far. Shadows form faces with the eternal death-scream frozen onto them. Human skeletons drag themselves tirelessly in the sand. Their bone-fingers dive into the grains of sand and they keep crawling in the swelter. They are damned souls, mortal remains of optimists. They are the ones who said life was beautiful and that there is always sun above the clouds. They are the ones who lied and said everything would be all right. They are the ones who never gave up hope. They are still looking for their oasis, the land of promises. And the sand will forever guard the trails of how they dragged their own bone-bodies.

Grey oceans ripple ruefully under the cloudy sky. Their surface is covered with rotting whale- and fish carcases in a way that the water itself and the rainbow-like oil stains on it can hardly be seen. The stenchy remains rise and fall along with the waves into eternity. Sometimes rain falls out of the clouds; slow, drizzling rain, just like when someone cries.

There is no life on the old continent. The last shreds of skin of civilization have long disappeared. A rusty coke can lies on the rubble of the desert as a memento to the fact that people lived here once. The buildings have all crumbled to the ground. Screaming vulture-skeletons float around the castle ruins, while skulls of rats are watching them from the dried-up, cracked ground.

During the night the dry vastness of forests are filled with ghosts, their moans rustle between the creaking branches. Dead pieces of trees keep falling to the ground, making billions of tiny clicking sounds. Ghosts fly around weeping in the moonlight, resting on stone-dry tree trunks and only the first pale rays of the Sun can shoo them away.

The planet looks pathetic even from outer space. It's just floating in nothing, like a dead fish in a river. You can hardly tell the lead-grey seas from the slate-grey shores.

In the spacestone-zone behind Mars, God's corpse is floating along with angel cadavers and their frozen wings.

Monday, September 13, 2010

Crazy beautiful

- You're crazy beautiful.
- Crazy AND beautiful?
- Crazy AND beautiful AND crazy beautiful.

Sunday, August 15, 2010

Catch the moment ...

Sometimes I'd like to catch the moment when things change. The moment when something really important turns into something quite insignificant, the moment when you laugh at the impossible lies you hear instead of getting angry. The moment when you turn a dream into reality, all alone, the moment when you scatter your secrets in front him (and not just your secrets - also your scarf, your pullover and your stockings) and nothing hurts, even though he doesn't value that moment as much as he should. To catch the moment when solid knowledge takes the place of uncertainty, the moment when the scale turns to the other side, the ever-changing becomes stationary, the moment when pieces of the mosaic become one clear picture.
I'd like to catch the moments that are uncatchable.
Changes always come with the wind and they always leave a trace behind them when the storm moves away.